THE BREAKUP OF YUGOSLAVIA: CINEMATIC REFLECTIONS Daniel J. Goulding
A chronicle July/November 1999 Vjekoslav Majcen
FROM THE HISTORY OF IDEAS: THE ABC FESTIVAL DOCUMENTS ON THE TRANSITION OF THE CROATIAN FILM FESTIVAL Ivo Škrabalo
CINEMA REPERTOIRE Igor Tomljanović
VIDEO PREMIERES Igor Tomljanović
THE LAST PICTURE SHOW — PULA 1999 Petar Krelja
THE FIRST MOTOVUN FILM FESTIVAL Sanja Muzaferija
IN SEARCH OF HIS OWN LIGHT: TOMISLAV PINTER Ivo Škrabalo
TOMISLAV PINTER’S FILMOGRAPHY Boris Vidović
OPEN, PERSONAL, RADICAL, SUBVERSIVE, SPLIT 1999 Diana Nenadić
FROM KUBRICK TOWARD FINCHER — VENICE 1999 Vladimir C. Sever
»THE LEFT HAND-HELD CAMERA« Dragan Rubeša
HRVOJE TURKOVIĆ: CONTEMPORARY FILM Damir Radić
FOREWORD Hrvoje Turković
A CASE FOR COGNITIVISM David Bordwell
THE DEAD-END METAPHOR (OR, WHY CINEMA IS NOT A LANGUAGE) Boris Vidović
FILM, PERCEPTION AND COGNITIVE PSYCHOLOGY Virginia Brooks
AFFECT, COGNITION AND THE POWER OF MOVIES Carl Plantiga
WHAT IS THE BASIS FOR A COGNITIVE APPROACH TO FILM? Hrvoje Turković
RED DUST — THE REFLECTION OF A DECADE Diana Nenadić
BODIES AND CORPORA: THE VISUAL JANE AUSTEN Tatjana Jukić
THE CINEMATIC VISION OF TIN UJEVIĆ Vjekoslav Majcen
FRENCH FILM AND LITERARY TRADITION Bruno Kragić
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