Damir Radić
Zagreb, 1966
My Big Fat Greek Wedding
Psycho — Gus Van Sant’s Version
Barton Fink a Kafkian Tale
Binary Principle and Love Motivation as the Basis of Structure (Flesh + Blood)
Synthesis with prejudices
Pula, my love
Pornophiles Sexuality Attacked by Feminist Criticism
A Romantic Film with a Construction Strategy of ’Excess’ — Stand by Me
PULA DIARY (Pula 2001)
IN RESPONSE TO IVO ŠKRABALO’S AND JURICA PAVIČIĆ’S REACTIONS
PROBLEMS OF PERIODIZATION OF FILM POSTMODERNISM
ERRATA
Films by Lordan Zafranović
The Most Beautiful and Exciting Job
Films by Vatroslav Mimica
VATROSLAV MIMICA’S FILMOGRAPHY
Biofilmographic Conversations: Ante Babaja
The Films of Ante Babaja
HRVOJE TURKOVIĆ: CONTEMPORARY FILM
Dražen Movre: From the seventh Row left
Ivo Škrabalo: 101 godina filma u Hrvatskoj, 1896.-1997.
Croatian Film Premieres
When the Dead Start to Sing by Krsto Papić
Certain value orientations in contemporary Croatian film criticism
Books by M. Ćurić, S. Hundić and J. Heidl, D. Ilinčić, A. Oremović
Russian Flesh
Croatian Film Magazines by Vjekoslav Majcen
Marina Vuletić, Oscar Between tradition and progress: 1927-1997
Zoran Tadić’s The Third Woman
Petar Krelja — Golik
A correct and atractive film
Nenad Pata: Masters of Zagreb Cartoon Films
In Honour of the Democratic Revolutionary Ante Peterlić(Collection of Film Scholar Papers in Honour of Peterlić’s 70th Birthday)
THE EMPTY GAZE OF REINHARD HAUFF
Enthusiastic and articulate erudite - even when mistaken
Films, stars, music, parties
Valuable and important book with a clear position
Transmedial masterpiece
Memories written down in a cultivated manner
3rd Subversive Film Festival (2010)
Identity games, sadomasochism and the secret of lesbian love in Fadil Hadžić’s Alphabet of Fear
Modest but wise
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