1999. 19-20

CONTEMPORARY FILM THEORY: THE COGNITIVIST APPROACH FOREWORD Hrvoje Turković

	A CASE FOR COGNITIVISM
	THE DEAD-END METAPHOR (OR, WHY CINEMA IS NOT A LANGUAGE)
	FILM, PERCEPTION AND COGNITIVE PSYCHOLOGY
	AFFECT, COGNITION AND THE POWER OF MOVIES
	WHAT IS THE BASIS FOR A COGNITIVE APPROACH TO FILM?

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