Diana Nenadić
Split, 1962
No Sound, Dust or Fury
AWARDS AND FILMOGRAPHY — SPLIT FESTIVAL 2002
Hable con Ella
Necessity, fashion or the art of long take?
On Fragments of a Mosaic or the Split Brand of ’Dialectics’
A Glance Over the ’Edge’
Dcument about docu-mania
Lucidly read fragments: from real to virtual history of film
Experimental Film: Der Experiment ist nicht aus (The Experiment Is not Over)
Intimacy and creation against tradition and imitation
Tarr’s Damnations
CODE: ABUNDANCE (films in Split 2001)
REVUE OF NON-PROFESSIONAL FILM MAKING 2000.
THE TRANSITION AND A CRACKED VIDEO SCREEN
Realigments
Old Rules and new Exceptions
OPEN, PERSONAL, RADICAL, SUBVERSIVE, SPLIT 1999
RED DUST — THE REFLECTION OF A DECADE
Mother of God, or the Croatian Film of Regression
Something new, something personal, something different
Reality Targeted BY Genre
Out of Bounds
Yasujiro Ozu’s family album
Documentarism as Ethical Choice (On Documentary Films by Petar Krelja)
From »First« to the Post-Avant-garde
Triumph of the will - death of propaganda
BLACK CROATIAN FILM GRAFFITY
Animation in the world - An interview with the selection committee
The international festival of new film and video
Liberation of cinema
Writing yourself with a gaze: Good Morning by Ante Babaja
The Limits of Control
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