He has no coherent idea of himself, but all that he remembers is somehow connected to the city, although he has never lived, nor was born in the city, nor did he die in the city, or anybody else, as far as he knows. (Georgio Manganelli)
Documentary scenes of wartime Osijek and a sound recording of Fritz Lang's M create a macabre portrait of the city devastated by irrational forces and an invisible killer.
Awards: Grand prix at the 11th Days of Croatian film, 2002.
FILM
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