U narativnom filmu pratimo pravac filmskog kretanja oslanjajući se na priču koja napreduje njenim uglavnom logičnim razvojem. Prečesto uneseni u isčekivanje raspleta napete priče ne primjećujemo kako je film zapravo napravljen.
U eksperimentalnom filmu stvari su drugačije. Eksperimentalni film eksperimentirajući pronalazi svoju formu, način obrade priče ili puno češće teme ili koncepta pronalazeći sebi svojstvenu kretnju ili daleko od pravila narativnosti ili pak intervencijom u ta pravila.
Filmovi odabrani za ovaj program, plesni, ekperimentalni, animirani, pokazat će neke od brojnih filmskih postupaka i umjetničkih ideja koje pokreću umjetnost filma u vremenu u kojemu je film za nas gledatelje jedino prisutan.
Liliana Resnick
MOVEMENT IN THE FILM ART
In the narrative film we follow its story mainly by today’s well-known rules of the story development. The excitement of the story lures us into perceiving the film through the story only, thus missing how the film is actually made.
In the field of experimental film things are different. The way experimental films move in time is either by its own creative intervention into the codes of narrative or by abandoning narrative rules completely.
Dance, experimental and animation films that our program consists of will bring to attention some of the numerous methods and artistic ideas that move the film art in time.
Liliana Resnick
FILMSKA KRETNJA II
Zagreb, Kino Tuškanac, 22.02.2011. / 21.00
Rijeka, Art-kino Croatia, 08.03.2011. / 17.00
(83 min)
1. Miramare Michaela Muller (2009.) 08’ 00’’
režija / director : Michaela Müller
scenarij / screenwriter : Michaela Müller
montaža / editor : Michaela Müller
originalna glazba / original score : Fa Ventilato
zvuk / sound : Fa Ventilato, Michaela Müller
Na mediteranskoj granici Europe turisti traže opuštanje, a ‘’ilegalni’’ imigranti bolji život.
A look at life on the Mediterranean borders of Europe, where tourists try to relax at the same time as "illegal" immigrants struggle for a chance for a better life.
2. Jackie and Judy Phil Harder (2009.) 04’ 00’’
režija / director : Phil Harder
koreografija / choreographer : Rosane Chamecki, Andrea Lerner
plesači / main dancer/s : Rosane Chamecki, Andrea Lerner
skladatelj / composer of music : Noel Kupersmith
produkcija / production : Tanja Meding
Oda McLarenenovom Pas De Deux
An ode to Norman McLarens Pas De Deux.
3. In Whitest Solitude Rade Šešić (2003.) 10’ 00’’
režija / director : Rada Šešić
scenarij / screenwriter : Predrag Dojčinović
produkcija / production : Phanta Vision Film International
direktor fotografije / director of photography: Nicole Batteke
montaža / editing : Christine Houbiers
skladatelj / composer : Ranko Paunović
Nepovratna priroda vremena je tema koja se proteže kroz plesni film In Whitest Solitude ( prema zaboravljenoj pjesmi R.M. Rilkea).
The theme underlying the dance-film In Whitest Solitude (based on a forgotten poem by R. M. Rilke) is the irreversible nature of time.
4. Transformance Nina Kurtela (2010.) 09’ 45’’
Length of the durational performance: 100 days (22.02 – 07.08. 2010)
Location: Studio 1, Uferstudios, Berlin
concept/ realization: Nina Kurtela
Producer: Ivana Vuksic (centralna jedinica)
Production: HAVC Zagreb, HUZT Berlin, Uferstudios Berlin
"... Umjetnik je prisutan pri nastajanju novog berlinskog suvremenog plesnog centra, institucije koja će sigurno igrati dinamičnu ulogu pri organizaciji i formiranju plesne zajednice grada..."
iz kataloga, Sommer.bar / Tanz Im August 2010
22.02 – 07.08. 2010 / Studio 1, Uferstudios, Berlin“…The artist is present at the birth of Berlin's new contemporary dance centre, an institution that will certainly come to play a part in shaping and organizing the dynamic of the city's dance community...”
from a catalog, Sommer.bar / Tanz Im August 2010
5. Ciganjska Davor Međurečan i Marko Meštrović (2004.) 09’ 19’’
redatelji / directors : Davor Međurečan i Marko Meštrović
glazba / music : Cinkuši
produkcija / production : FADE IN / Kreativni sindikat
Film je baziran na jednom od tekstova Krležinih Balada Petrice Kerempuha, baladi "Ciganjska". Atmosferom, karakterizacijom likova, kao i izborom mračne Krležine balade iz 1936., autori filma su svjesno povukli paralelu s poetikom njemačkog ekspresionizma. Tako su se fokusirali na simboličko opisivanje unutrašnjeg svijeta likova naglašavajući tjeskobu, otuđenost na asfaltnoj džungli i zbunjujući poriv za autodestrukcijom.
The film is based on one of the texts from Krleža's The Ballads of Petrica Kerempuh (Balade Petrice Kerempuha), "The Gypsy" (Ciganjska). Through the atmosphere of the film, the choice of Krleža's dark ballad from 1936. as well as the develpment of characters, the authors have clearly drawn a parallel with the poetics of German expressionism. With this, they have focused on symbolic description of characters' inner worlds, emphasizing anxiety, alienation in the asphalt jungle and confusing need for self-destruction.
6. Odnos Mario Papić (2010.) 05’ 00’’
kamera / camera : Mario Papić
montaža / editing : Mario Papić
ton / sound : Mario Papić
7. Reopening the Past Liliana Resnick (2010.) 11’ 30’’
režija / director : Liliana Resnick
koreografija / choreographer : Liliana Resnick
plesačica / dancer : Blaženka Kovač
skladatelj / composer of music : Dalibor Bukvić
Iako je rat završio prije 20 godina nekoliko žena još uvijek iščekuje povratak nestalih supružnika.
Although it has been 20 years since the war has ended a few women still await the return of their missing husbands.
8. Prijepodne jednog fauna Tomislav Gotovac (1963.) 08’ 19’’
9. Alamo Željko Radivoj (2010.) 05’ 30’’
KK Zagreb – SF i Hrvatski filmski savez, Zagreb
Jedan od zadnjih realiziranih video zapisa posvećen Tomu Gotovcu - u jednom kadru. Kišne kapi utiru put našem sjećanju. Sve što nam ostaje, sve što nosimo sa sobom je memorija.
One of the latest videos made which was dedicated to Tom Gotovac - in one take. Raindrops pave the road of our memories. Everything that we are left with, everything that we carry within is our memory.
10. Don Kihot Vlado Kristl. 10’ 42’’ (1961.)
Film prikazuje Don Kihota i njegovog slugu Sanča Pansu u njihovim pustolovinama. Hrabri vitez bori se sa policajcima, sa čitavom naoružanom vojskom, da bi ih sve natjerao u panični bijeg potukavši se sa svojim starim neprijateljem – vjetrenjačom.
The film shows the adventures of Don Quixote and his servant Sancho Panza. The brave knight fights policemen, the entire armed forces unit, making them run away in panic by picking up a fight with his old enemy - the windmill.