The world of Veljko Bulajić's films: the meeting place of the individual and the collective

Tomislav Šakić

Ideology and values in Yugoslav war movies: sociological analysis of Veljko Bulajić’s The Battle of Neretva

Nemanja Zvijer

Totalitarianism and Yugoslav socialist experience: Stipe Delić’s Sutjeska

Senadin Musabegović

Is there anyone beneath us?

Sanjin Pejković

Metafilmic structures and forms of (self)consciousness in Croatian and world cinema

Krunoslav Lučić

A possibility of the impossible: Blade Runner as a didactic narrative on design

Feđa Vukić

Animated cartoon as a genre

Midhat Ajanović

New music guidelines – Kubrick after 2001 A Space Odyssey (IV): Full Metal Jacket

Irena Paulus

Zadar in Port of Šibenik or how to know the known and find the found

Enes Midžić

A way to Opsada – Branko Marjanović’s feature films

Slaven Zečević

Ivan Martinac – a monologue with film

Silvana Dunat

Portrait of a Cinematographer (II) – Raoul Coutard

Krešimir Mikić

FESTIVALS

Why should it be good, anyway?
Carlos Reygadas on One Take Film Festival
Igor Bezinović

The pub and film
80 years of cine-club tradition in Zagreb
Juraj Kukoč

NEW FILMS

Theatres

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DVD

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NEW BOOKS

More than a history
Ante Peterlić: Povijest filma: rano i klasično razdoblje, 2008
Tonči Valentić

The gem of fi lm criticism
Hrvoje Turković: Narav televizije, 2008
Petar Krelja

The film theory as the theory of culture and reality
Saša Vojković: Filmski medij kao (trans)kulturalni spektakl: Hollywood, Europa, Azija, 2008
Darko Štrajn

The innovative compendium of cultural approaches to film art
Saša Vojković: Filmski medij kao (trans)kulturalni spektakl: Hollywood, Europa, Azija, 2008
Tonči Valentić

APPENDICES

Chronicle / Filmographies / Bibliographies / Contributors to this issue

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EDITORIAL

After a long absence

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OBITUARY: MATO KUKULJICA

Obituary: Mato Kukuljica

Stjepan Ćosić, Krešimir Mikić

Mato Kukuljica’s biography and bibliography

Carmen Lhotka