Irena Paulus
(Zagreb, 1970),
Memories of Africa
The concept of music in Tanhofer’s H-8...
Three Colors — Blue
Divine decadence — Bob Fosse’s Cabaret
Music and Sound in Jacques Tati Films
Film Music — A Theme with a Variation An Interview with Thomas Burić
Cliché or Emerging Language?
Mostly ’Drawn’ Music
Miljenko Prohaska: With Music from Experimental to Animated Film
I COMPOSE MY MUSIC, THE WAY I FEEL IT — AN INTERVIEW WITH MILJENKO PROHASKA
MILJENKO PROHASKA’S FILMOGRAPHY
Nikica Kalogjera: from Musicals to Film Scores
MAD ABOUT MUSIC — INTERVIEW WITH COMPOSER ALFI KABILJO
A musician at heart: Arsen Dedić and his film music
Film Music in the Nineties: The Song and the Score — A Battle for Supremacy?
Williams Versus Wagner or: An Attempt and Connecting Musical Epics
Nikica Kalogjera: Themes, Evolution and Constants of an Film Composer
The Film Music of Ivo Tijardović
The Film Music of Ivan Brkanović
A Bio-Filmographical Interview with Film-Music Composer Anđelko Klobučar
An Organist in the Film Studio – Anđelko Klobučar and his Film Music
Fran Lhotka — The Question of Folk Music in Film
Vladimir Kraus Rajterić — a film music composer
BETWEEN REAL AND UNREAL: CARMEN BY CARLOS SAURA
MUSIC IN CLASSICAL HOLLYWOOD FILM I. (BASIC TYPES AND FUNCTIONS - CASABLANCA CASE)
Tea Brunšmid
Music and Disney's Fantasia
Miroslav Belamarić as a film music composer
Milo Cipra - his film music
Studying Croatian film music
New music guidelines. Kubrick after 2001: A Space Odyssey – A Clockwork Orange
New musical guideliness: Kubrick after 2001: A Space Odyssey (II) - Barry Lyndon
New music guidelines – Kubrick after 2001 A Space Odyssey (IV): Full Metal Jacket
New music guidelines – Kubrick after 2001: A Space Odyssey (V)
Symbolism of sound in Ante Babaja’s feature-length films
Silence as dimension of time in film music
Web Statistics