STUDIES AND RESEARCH
Vladimir Kraus Rajterić — a film music composer
An analytical study of some of the most
characteristic samples of the prolific film-music work
by the late Croatian composer Vladimir Kraus-Rajterić.
The study is the first one on the important but neglected
composer, accompanied by the complete filmography of the
composer’s work.
Besides few short remarks by an reviewer of Croatian
animation films, there has been no mention anywhere in
literature about the work of the late (died recently, in
July 29 1996) composer Vladimir Kraus-Rajterić. He was
an employee in Jadran film, the biggest Croatian film company,
and he wrote film music for about twenty feature films,
and for about forty animated and documentary films. Born
in December 14 1924 in Zagreb, in 1942 he entered then
established Art school, the
school of an open nature, where different arts were thought
and promoted (literature, drama, music, dance and art).
He took additional private lectures in music with Ivo Kirigin,
the teacher at the school and later a leading man in music
department of Jadran film. Basically, Kraus-Rajterić’s
musical education was not complete, up to the university
educational standards, but he compensated it by self-education.
Entering the music department in Jadran film at the end
of forties, he was introduced into the music editing skills
by Tea Brunšmid and Lidija Jojić, and was very much appreciated
by them. Along with the music editing jobs he soon started
composing music for films. The limits of his music education
was noticeable in some failings of the orchestration side
of some of his early film-music (e. g. in animated film The Enchanted Castle in Dudinci,
1952), but later on it was not the case any more. He was
inventive in finding effective themes, in imaginative coordination
of music with picture, and in original compositional solutions
of some particular tasks. In his music there can be sensed
a nice combination of somewhat naive traditionalist approach
and of the traces of contemporary music approach (most
probably under the influence of Ivo Kirigin). After his
death some music scores for autonomous (non-film) compositions
were found (three solo songs; one suite for piano, chorus
composition, etc.), but, being very modest person, Vladimir
Kraus-Rajterić had never published them. Irena Paulus |