DIGITAL TECHNOLOGIES
The Influence of New Digital Technologies on Film Production
Until the massive introduction
of computer technology in our everyday lives, motion pictures
were produced in a sequence that was basically set from
the times of the invention of film tape and camera. It
comprised of four phases (pre-production, production, post-production,
and distribution of the finished work) that took place
in a linear temporal order.
Digital technology introduced changes in
all phases of film production: on the level of certain
jobs and workplaces, on the level of the whole production,
and finally, it’s ultimate achievement was a physical change
of the medium itself.
Since TV and video production turned to
digital technology and specialized computers much sooner,
using the, so-called, edit consoles — computers that could
memorize the EDL (edit decision lists) and could save and
read them in various formats adapted for various appliances,
they served as an important guideline to filmmakers. New
ideas introduced different, new solutions, which eventually
resulted with some of the leading names of film industry
(AVID, PROTOOLS, SCRIPTOR, etc.). Specialized programmes
introduced new possibilities; shortening of certain phases,
quick correction/reduction of mistakes, completely new
ways of working with sound and image.
Past experiences show that the introduction
of computers and digital technology in film production
brought a number of advantages that resulted in faster
production, more creativity, a more efficient interaction
in the creative process, and shortening of certain phases.
They also reduced the possibility of loss of information
and product during certain phases, reduced ’generational’
losses in re-taping, and finally, significantly decreased
the costs of production.
Although film negative has certain advantages unparalleled
by the digital technology (70 mm negative, IMAX cinema,
infra-red, and ultra-violet shooting, etc.), rapid development
of digital technology forces us to conclude that, under
its influence, the medium is definitely changing, and that
the 35 mm stock will soon be pushed out of film production
and replaced by the digital format (or formats), thus also
changing the way of distribution of film works. Sergej Ivasović |