STUDIES AND RESEARCH
Ellipses and their Rhetorical Quality in the film Concert by Branko Belan
Film Concert will be
remembered in Croatian film history as one of the most
criticized works in its time. It took years for the film
to achieve its today’s status of one of the most significant
Croatian films of all times. This essay, however, focuses
on the particular use of ellipse in regard to the global
idea of the movie. Namely, storyline of the Concert follows
the destinies of several people during the time of great
political and socio-structural changes. Within the context
of the events and under the influence of the changes in
society, characters acquire different socio-psychological
statuses.
With prominent ellipses between the episodes,
Belan is trying to show, and he does it with much success,
the extents of these psychological and positional changes
caused by social upheavals. Leaps in time serve to emphasize
the overall transformations of characters and the social
situations. The author of the essay first defines a concept
of ellipses, establishes its global function, and then
proceeds to make a more elaborate analysis of individual
ellipses as they appear in each of the episodes. Vladimir Gojun |